Elegant 3d Design & Efficiency.

So a little bit of oil painting for a Christmas present. I must send a link to Ardal O'Hanlon and Grahaem Linehan, see what they think. Imagine, no computers were used in the production of this.

This title will never see the light of day. After project completion, it was decided the programme would take a different direction, rendering this title unsuitable to the content of the programme. Nevertheless - here it is. // Art Direction / Design - Alan Eddie // 3d Animation, VFX - Alan Eddie // An RTÉ Graphic Design Department production //Client - Niall Matthews / Ann Roper - Documentary Unit, RTE //Audio Track - LCD SoundSystem - Dance Yourself Clean // ©RTÉ

This was an interesting simple job that proved a little harder than it looks! The original weather was dull and dreary for the shoot, with postponements due to water droplets on the camera lens. The shot had to match the original opening sequence - which was shot in the summer time, not mid - November. So I used 3d tracking software to track the move and proceeded to fix up the scene. // Art Direction, Compositing - Paul Gibney // 3d Animation, Tracking, Effects - Alan Eddie // Camera -John Freeney // An RTÉ Graphic Design Department production // ©RTÉ

I should have stuck this up a long time ago. The look of RTE Jr was created by Conor Cassidy and produced and animated by myself. Great fun working on these, we packed a lot in so they would have a long shelf life. We hope that kids gradually notice different bits and pieces in them over time. The project is actually an even mix between 2d and 3d. Each ident here is back to back with Halloween and Xmas. There will be more of these produced over time. //Client - Jim Booth, RTE Promotions Dept. // Design, Concept and Art Direction - Conor Cassidy // Alan Eddie - 2d, 3d animation, compositing and art direction // Audio Design - Ivan Fitzpatrick ( http://www.ivanfitzpatrick.com/ ) // Assistant Animation - Fran Power, Chris McEvoy // An RTÉ Graphic Design Department production // ©RTÉ

I am currently rummaging about my archive of work. I'll start posting some stuff that I think was interesting over the next little while, this is one to get started. This SFX shot was made for a Primetime documentary about tyre dumping in Ireland and exploitation of government incentives. It's a simple shot and the result is suitably eerie. It makes me think of shots in Kubrick's 'The Shining'. //Glen Forde - Art Direction // Alan Eddie - 2d, 3d animation, compositing. // An RTÉ Graphic Design Department production. // ©RTÉ // Prime Time Investigates: Tyres - A Dirty Business - Paul Maguire/David Doran/Brian Paircéir // http://www.rte.ie/news/av/2010/0517/primetimeinvestigates.html#

So this is a foray into full 3d rigging and character setup and animation. SetSpy is a character used to promote 'behind the scenes' footage in RTE. This is a spot promoting the television website. I created, rigged and animated the character. SetSpy was originally a purchased model - with about a day's modifications done in Softimage. //Christina Carey Shaw -Concept, production. // Alan Eddie - 2d, 3d animation, compositing. // An RTÉ Graphic Design Department production. // ©RTÉ

This brief for this job was essentially to make the RTE News Studio look bigger and more impressive than it actually is. An artificial 'other side' of the studio was built in 3d complete with TV cameras with blinking lights, to look more pleasing than the existing restrictive wall and unsightly cables and accoutrements. A gobo light effect was then placed on the floor with the title of the bulletin. Creating this in 3d meant I could get accurate reflections in the floor etc. So everyday it is overlay-ed on the real live shot to give the impression of a more impressive, cohesive studio setup. All in a day's work for the artificial nature of television. // Art Direction & Client for RTE News - Mick Nalty // 3d Animation, Tracking, Effects - Alan Eddie // An RTÉ Graphic Design Department production // ©RTÉ